A conceptual tribute poster
[PERSON NAME].

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[PERSON NAME]. Act as a high-end sports graphic designer creating a conceptual tribute poster. The style is a complex "dual exposure photo-grid composite" with mixed-media textures. **CENTRAL STRUCTURE (THE VESSEL):** The central focus is a large-scale, high-contrast black and white portrait silhouette of [PERSON NAME]. This main portrait acts as the container. **THE GRID FILL & TEXTURES (MIXED MEDIA):** The interior of the silhouette is populated by a dense "photo mosaic grid" of action shots from the person's career. **CRITICAL TEXTURE INSTRUCTION:** Do not just paste flat photos. Apply artistic textures to various grid cells to create a tactile, collage feel. Use effects like: - **Halftone Dots:** Comic-book style raster patterns on some cells. - **Fabric/Embroidery:** Subtle thread or canvas textures suggesting a jersey or patch. - **Film Grain:** Heavy noise on specific high-contrast action shots. **COLOR STRATEGY:** The base is Monochrome B&W. Use selective color overlays (relevant to the team/flag) ONLY on specific grid cells to create a rhythm. **TYPOGRAPHY & BRANDING (STRICT MICRO-SCALING):** 1. **Top Left (The Name):** Write "[PERSON NAME]" strictly using the font **Inter Semibold**. - **Kerning:** Tight negative kerning (-4%). - **Size:** SMALL and discreet. It must occupy **MAXIMUM 20%** of the canvas width. Do NOT make it large or loud. 1. **Top Right (The Symbol):** Place the primary logo (Team/Brand/Flag). - **Size:** VERY SMALL. It must occupy **MAXIMUM 10%** of the canvas width. **COMPOSITION & BACKGROUND:** - **Background:** Off-white or light grey with a **visible high-quality paper or concrete texture**. It should not be flat digital white. - **Alignment:** Center the figure perfectly. Maintain wide negative space around the object.
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- 2…a portrait of your subject in softgolden-hour light, 85mm…
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| If the result… | Why | Fix |
|---|---|---|
| The result drifts from the preview | Too many fields changed at once. | Reuse A conceptual tribute poster as-is first, then change one group — subject, light, or setting. |
| The model over-stylizes the scene | The prose prompt leaves finish and camera underspecified. | Add one camera or lighting sentence and stay on Nano Banana 2. |
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