Epic Sci-Fi Action Sequence Prompt for Seedance 2.0

Act One: Industrial Ruins Chase, 15 seconds, one continuous shot. Subject: standing atop the lead armored war rig, @Image 2 cyberpunk warrior woman Image 1 — white formal suit, mechanical prosthetic arm, metal neck guard, ponytail, gold earrings, one hand raising a red flag-spear pointed into the depths of the canyon ahead, facial features rendered with cinematic realism, expression stable and undistorted throughout. Two heavily armored desert off-road vehicles race through a narrow iron-rich canyon, its sides littered with abandoned mining equipment and giant hanging crane-hook pendulums. [0-3s · Canyon entry] The camera cuts in between the canyon walls, tracking rapidly backward in front of the lead war rig — the warrior woman stands unmoving atop it Image 2 , the red flag-spear snapping and fluttering in the canyon wind, the mechanical prosthetic arm gripping the pole in an iron, unmoving hold, the hem of the white suit and the ponytail whipped violently by the speed-driven airflow, the metal neck guard and prosthetic arm joints flashing with dazzling metallic light in the ochre-red canyon side lighting; the camera suddenly pans sideways, tracking the two war rigs roaring side by side through dust and falling rocks, the giant hook pendulums on both sides of the canyon swaying slowly high above. [3-7s · Pendulum trap triggered] The warrior woman's mechanical prosthetic arm suddenly points upward — in sync, the driver triggers the overhead crane hook; the giant pendulum sweeps violently across, tearing the pursuing vehicle's armor plates, chains, tools, and metal fragments loose and sending them flying, an entire car door flipping and scattering apart in the canyon side light; the enemy vehicle swerves violently, its exposed suspension system spraying sparks in all directions; the warrior woman stands firm atop the rig, the flag-spear tracing an arc through the air; the camera sweeps past from a low angle beneath the swinging hook, wheel hub covers torn off and flying free, metal fragments scattering in the skylight filtering through the narrow ochre-red canyon crevice. [7-11s · Countering the pendulum · Breaking the trap] The enemy counters by dragging the lead war rig toward a preset pendulum trap — the rig veers violently, the warrior woman's mechanical prosthetic arm instantly spreads its five fingers and plunges into the roof's steel frame to lock down the center of gravity, a mechanical spine unfolds along her back as a support structure to resist the impact, the metal neck guard bursts with blue-white electric arcs to counter the pendulum's pull; the flag-spear is thrown badly off course by the airflow, the warrior woman's mechanical prosthetic arm twists back to pin the pole down in an iron grip; the war rig drifts to its limit, squeezing into a narrow rock crevice, while the giant hook pendulum wrenches the enemy vehicle's entire body sideways into the canyon wall, smashing it apart with a deafening crash, thick dust and the sound of tearing metal filling the canyon, shrieking bolts and rock fragments swirling through the skylight in the narrow crevice. [11-15s · Breaking out of the canyon · Freeze-frame before the mech] The lead war rig bursts out of the canyon exit, the lighting abruptly shifting from the canyon's ochre-red side light to the desert's fierce sun, a strong warm-yellow backlight; the camera slowly decelerates and pulls back — in the open post-apocalyptic wasteland ahead, Image 3 the silhouette of a giant mech looms against black smoke and the blazing sun, its legs jetting orange-red flames, black smoke blotting out the sky; the war rig stops directly in front of the mech, the warrior woman still standing atop it, one hand raising the red flag-spear pointed straight at the mech's cockpit, dust swirling around the white suit, the ponytail drifting backlit in the blast wave from the explosion; the camera finally freezes on a low-angle upward wide shot, strictly reproducing the composition of Image 3 — the battered war rig in the lower right corner of the frame, the giant mech filling the sky on the left side of the frame, black smoke and the blazing sun creating an epic, oppressive atmosphere, fading out slowly. [Style/Quality]: 4K ultra-high-definition, sharp clarity, rich detail, no blur or ghosting, post-apocalyptic industrial blockbuster style, strong contrast between the canyon's ochre-red side light and the desert's warm-yellow backlight, physically convincing metal-tearing effects, thick dust and violent momentum sustained throughout. [Constraints]: normal human anatomy, stable undistorted faces, no flickering, the warrior woman's costume and mechanical details strictly matching Image 1 their original appearance throughout, the final freeze-frame composition strictly reproduced, the flag-spear's length kept consistent throughout, total duration 15 seconds. Act Two: Part One: 15 seconds (Mech's Assault · The Warrior Woman Breaks the Attack) Visual style throughout references the look of 1980s Hong Kong wuxia stills: VHS scan lines, film grain, faded warm-yellow tones, slight frame jitter. The protagonist throughout references Image 2 : white formal suit, mechanical prosthetic arm, metal neck guard, ponytail, gold earrings, standing atop an old beat-up car, holding a red-flagged spear. Shot 1 (0-4s) · Low-angle wide shot Generate @Image 1's post-apocalyptic desert scene, with the opening frame strictly matching the composition of Image 1 — the battered old car in the foreground occupies the lower right of the frame, the giant mech in the background fills the sky on the left side of the frame. The mech's chest slowly opens, spewing a massive jet of orange-red flame straight at the warrior woman; she holds the spear in one hand while raising her other mechanical arm, spraying a broad sun-blocking, heat-insulating white mist from her sleeve to meet the flame head-on; the flame gradually dies out within the mist, leaving scorched marks on the desert ground. The camera slowly pushes in, following the flame as it dies out. Shot 2 (4-9s) · Following medium-shot cut The mech's shoulder missile bay pops open, two missiles streak out trailing white smoke; a slow-motion close-up of the missiles' spinning flight path, the camera following the missiles' point of view as they close in on the warrior woman; she pivots and leaps sideways, raising her mechanical prosthetic leg for a side kick that deflects the first missile, which hits a distant dune and explodes; she spins around, sweeping the spear shaft to knock the second missile off course, sending it tumbling off-target and falling dead in the distance. Cut to a low-angle upward shot, dust swirling in the sunlight, the warrior woman landing firmly back atop the car, the hem of her white suit flapping in the blast wave from the explosions. Shot 3 (9-15s) · Rapid triangular cross-cutting standoff Close-up of the mech's cockpit — the driver's face dimly visible through the canopy, eyes wide with shock; cut to an extreme close-up of the warrior woman's face, her gaze cold and sharp, the corner of her mouth curling slightly, gold earrings swaying gently in the wind; cut back to a low-angle wide shot, the warrior woman slowly raising the red-flagged spear with one hand to point it at the mech's cockpit, desert heat haze and black smoke swirling in the backlight. The triangular cross-cutting rhythm gradually accelerates, the frame jitters slightly, VHS noise intensifies, creating a suffocating standoff atmosphere. Generate only the roar of the mech's flame jets, the impact sound of missile explosions, metal clashing sounds, and desert wind — no background music. Action choreography should follow wuxia action-film conventions, clean and crisp movements, no bloody imagery, no guidance toward dangerous stunts, the spear's length kept consistent with @Image 1 throughout. Act Three: The visual style continues from Part One's 1980s wuxia still-photo look: VHS scan lines, film grain, faded warm-yellow tones. The protagonist throughout matches Image Image 2 2. Shot 1 (0-4s) · Close-up tracking the leap A ground-level low-angle tracking shot, the warrior woman's mechanical prosthetic foot gathers power on the car roof, then suddenly kicks off; cut to a slow-motion side wide shot, the warrior woman launches into the air from the left side of the frame like an arrow loosed from a bow, the white suit and red flag snapping open in the air, the spear tip pointed straight at the mech's cockpit Image 1 , the camera follows the warrior woman's upward trajectory in a rising low-angle shot, the sky, black smoke, and blazing sun forming a backlit silhouette. Shot 2 (4-8s) · Captured · Standoff The mech's giant right mechanical hand suddenly sweeps across, seizing the airborne warrior woman in its grip; cut to a close-up of her face, her gaze sharp and fearless, jaw clenched, her mechanical arm pinned by the giant hand, the red-flagged spear still gripped tightly in her hand; cut to a close-up of the mech's giant hand, its metal fingers slowly tightening, hydraulic joints emitting a dull, crushing groan; cut back to a low-angle wide shot, the warrior woman held aloft in the air, the desert ground and the old beat-up car reduced to toy-like specks far below her feet. Rapid four-way cross-cutting, film grain intensifying. Shot 3 (8-12s) · Spear breaks through the cockpit The warrior woman suddenly summons her strength, her mechanical prosthetic arm wrenching free half a step, hurling the red-flagged spear with all her might in slow motion with one hand; the camera cuts to the spear's point of view, following the tip as it spins rapidly forward through the air, slicing through the wind straight at the cockpit; cut to a view from inside the cockpit, the spear tip piercing the armored glass, the driver falling backward; cut to a side medium shot of the mech's exterior, the cockpit armor shattering, fire bursting out from within. Throughout this section, slow motion and normal speed cut back and forth, the rhythm exploding. Shot 4 (12-15s) · Mech collapses · Freeze-frame The mech's leg hydraulic systems fail, the giant hand releases its grip, and the warrior woman falls freely from high above; cut to a slow-motion upward shot, the warrior woman flips in midair, her mechanical prosthetic arm grabbing onto the collapsing mech's wreckage for leverage, landing gracefully with one knee touching the sand, dust swirling around the white suit; the mech collapses backward with a thunderous crash in the background, an explosive fireball rising into the sky, black smoke blotting out the sun; the warrior woman slowly stands up, her back to the camera, facing the burning mech wreckage, her ponytail drifting backlit in the blast wave from the explosion, fading out slowly into a freeze-frame. Generate only the sounds of the mech's hydraulics, metal shattering, the explosion's impact, the spear cutting through the air, and desert wind — no background music. Action choreography should follow wuxia action-film conventions, clean and crisp movements, no bloody imagery, no violence or gore, no guidance toward dangerous stunts, the spear's length kept consistent with @Image 1 throughout.