Hyper-realistic cinematic conversion prompt for nano-banana-pro

Core requirement: Transform all elements in the reference image — including the character, scene, props, and environment — entirely into an ultra-realistic, live-action real-world scene, as if it were a film still shot on location. Character transformation: Strictly preserve the original character's hairstyle, clothing, expression, facial features, body language, and overall temperament, converting them into the look of a real actor. Scene transformation: • Restore the comic/illustration scene into a real, physically shootable space • All props, furniture, and architecture must be built sets or real location shots • Realistic material textures: fabric wrinkles, wood-grain texture, metal reflections, wall texture • Rich environmental detail: dust, wear marks, lived-in details • Spatial perspective and lighting that follow the laws of physics Photography style: cinema-grade on-location photography • Deep depth-of-field composition, sharp from foreground to background • Film texture, soft grain and rich color gradation • Dramatic light-and-shadow contrast: warm tungsten work lamps vs. cool natural dusk light • The subject stands out while the environment retains its narrative quality • Set design and photography on the level of Blade Runner or The Grand Budapest Hotel Technical specifications: • Film: Kodak Vision3 500T (cinematography standard) • Suitable scenes: night scenes, low-light environments, indoor tungsten lighting • Aperture: f/8–f/11 (deep depth of field, full-frame sharpness) • Focal length: 35mm–50mm (standard cinematic field of view) • Resolution: 4K cinema or higher • Color: warm, saturated tungsten color temperature, with shadow detail preserved • Lighting design: three-point lighting or combined with natural light, creating cinema-grade light-and-shadow layering Set-design requirements: • Built sets or on-location shooting, avoiding any sense of CG compositing • Props and set dressing consistent with the character's background and era setting • Spatial design with a sense of depth and lived-in atmosphere • Walls, floors, ceilings, and other environmental elements have a realistic texture • Background people (if any) must also be real actors, avoiding blurring them out Negative prompt (strictly avoid): • Blurred background, shallow depth of field, bokeh, out of focus • Cartoon, anime, illustration style, hand-drawn texture, CG-render feel • Flattened composition, lack of spatial depth • Fake sets, green-screen compositing marks, digital backgrounds • Facial distortion, disproportion, AI-generation artifacts • Low quality, digital noise, pixelation, over-sharpening • Overexposed harsh light, plastic-like texture, excessive digital post-processing • Floating props, physically implausible elements, texture-mapped material feel • Empty background, lack of detail, monotonous environment Reference style: master-level cinematography works — the on-location shooting aesthetic of Roger Deakins, Emmanuel Lubezki, and Hoyte van Hoytema.