How do I use the Cinematic Train Sequence Prompt for Seedance 2.0 template?
Edit the prompt in the box under the preview — the template's model and format are already selected — and press Generate. Your version appears right on this page.
A highly detailed, multi-shot prompt for Seedance 2.0 focusing on complex camera work and scene transitions involving a high-speed train (Shinkansen) passing through a rural landscape.
Opening Shot - Silent Dawn (Using Combo Camera Move 3: Crane Reveal) The frame opens on a close-up of a spider web covered in morning dew, the dewdrops reflecting blurred images of the countryside. The camera slowly pulls back and rises like a breath, gradually revealing the boundless rice paddies locked beneath a thin mist below. On the distant horizon, a thin silver streak silently cuts across the blue-gray sky — it is the Shinkansen. (Crane shot + pull-back shot; mood: tranquil, poetic, scene-setting) Acceleration - The Metal Beast (Using Combo Camera Move 4: Dizzying Chase + elements of Combo Camera Move 1) Suddenly, the camera seems to be caught by magnetic force, rushing forward toward the silver track at an impossible acceleration. Intense handheld shake simulates a violent blast of air, and the rice paddies instantly blur into a streaking green torrent. The camera whip-pans rapidly, matching pace with the train's nose as it suddenly closes in. The instant their speeds synchronize, all sound is stripped from the world, leaving only a visually intense Dutch angle tilt to emphasize this momentum beyond normal reason. (Violent handheld shake + rapid whip-pan + Dutch angle; mood: explosive, shocking, off-balance) Penetration - The Barrier Shifts (Using Combo Camera Move 9: Space-Time Transition) Just as it's about to collide with the train's nose, the camera aims at the cab's side window. A cold, honeycomb-textured glass pattern fills the frame. Match cut point: a blurred slow-motion silhouette of a bird striking the glass — the instant it makes contact, the camera has seamlessly passed through. The cold, high-speed world outside abruptly switches to the warm, quiet, low-noise cabin interior. The light shifts from a cold blue to a warm yellow. (Match cut + lighting/texture transformation; mood: magical, a turning point, entering another space) Gaze - The Still Heart (Using Combo Camera Move 5: Graceful Orbit, with elements of Combo Camera Move 2) Once inside, all motion settles into absolute calm. With a Steadicam-like floating quality, the camera drifts gently along the aisle, orbiting the woman seated by the window. As it passes her profile, an extremely slow push-in brings focus onto her glasses lenses — the blurred, flowing mountains, forests, and villages outside the window are reflected in the lenses like an abstract painting. Steam rises slowly from the cup's rim at a pace that defies physics. (Steady Steadicam orbit + extremely slow push-in + macro close-up; mood: serene, introspective, time seemingly frozen) Detachment - The Outer Spiral (Using Combo Camera Move 4 again: an intensified version of the Dizzying Chase) The camera passes out through the window on the other side, instantly returning to the eye of the speed storm. It begins spiraling at high speed around the train, the train's streamlined body carving dazzling metallic arcs of light in the sun. The violent orbiting motion, combined with handheld tremor, is dizzying and mesmerizing, showcasing the pure formal beauty of machinery and speed. (High-speed spiral orbit + handheld shake; mood: detached, dizzying, mechanical aesthetics) Closing - The Bridge Between Heaven and Earth (Using Combo Camera Move 8: a variant of the Grand Entrance) As the spiral reaches its highest point, the camera abruptly pulls back and up. The train is crossing a massive iron bridge spanning an emerald green canyon, its form appearing precise and elegant. The camera continues rising while panning, revealing the full canyon and the distant mountains. It finally settles on a sweeping aerial wide shot: the silver train, like a slender needle, quietly disappears into the shadowed tunnel of the mountains. All is silent, save for one last, distant echo of the train's whistle rippling gently among the mountains until it fades away. (Large-scale pull-back + crane movement + pan; mood: grand, detached, settling into eternity)
Opening Shot - Silent Dawn (Using Combo Camera Move 3: Crane Reveal) The frame opens on a close-up of a spider web covered in morning dew, the dewdrops reflecting blurred images of the countryside. The camera slowly pulls back and rises like a breath, gradually revealing the boundless rice paddies locked beneath a thin mist below. On the distant horizon, a thin silver streak silently cuts across the blue-gray sky — it is the Shinkansen. (Crane shot + pull-back shot; mood: tranquil, poetic, scene-setting) Acceleration - The Metal Beast (Using Combo Camera Move 4: Dizzying Chase + elements of Combo Camera Move 1) Suddenly, the camera seems to be caught by magnetic force, rushing forward toward the silver track at an impossible acceleration. Intense handheld shake simulates a violent blast of air, and the rice paddies instantly blur into a streaking green torrent. The camera whip-pans rapidly, matching pace with the train's nose as it suddenly closes in. The instant their speeds synchronize, all sound is stripped from the world, leaving only a visually intense Dutch angle tilt to emphasize this momentum beyond normal reason. (Violent handheld shake + rapid whip-pan + Dutch angle; mood: explosive, shocking, off-balance) Penetration - The Barrier Shifts (Using Combo Camera Move 9: Space-Time Transition) Just as it's about to collide with the train's nose, the camera aims at the cab's side window. A cold, honeycomb-textured glass pattern fills the frame. Match cut point: a blurred slow-motion silhouette of a bird striking the glass — the instant it makes contact, the camera has seamlessly passed through. The cold, high-speed world outside abruptly switches to the warm, quiet, low-noise cabin interior. The light shifts from a cold blue to a warm yellow. (Match cut + lighting/texture transformation; mood: magical, a turning point, entering another space) Gaze - The Still Heart (Using Combo Camera Move 5: Graceful Orbit, with elements of Combo Camera Move 2) Once inside, all motion settles into absolute calm. With a Steadicam-like floating quality, the camera drifts gently along the aisle, orbiting the woman seated by the window. As it passes her profile, an extremely slow push-in brings focus onto her glasses lenses — the blurred, flowing mountains, forests, and villages outside the window are reflected in the lenses like an abstract painting. Steam rises slowly from the cup's rim at a pace that defies physics. (Steady Steadicam orbit + extremely slow push-in + macro close-up; mood: serene, introspective, time seemingly frozen) Detachment - The Outer Spiral (Using Combo Camera Move 4 again: an intensified version of the Dizzying Chase) The camera passes out through the window on the other side, instantly returning to the eye of the speed storm. It begins spiraling at high speed around the train, the train's streamlined body carving dazzling metallic arcs of light in the sun. The violent orbiting motion, combined with handheld tremor, is dizzying and mesmerizing, showcasing the pure formal beauty of machinery and speed. (High-speed spiral orbit + handheld shake; mood: detached, dizzying, mechanical aesthetics) Closing - The Bridge Between Heaven and Earth (Using Combo Camera Move 8: a variant of the Grand Entrance) As the spiral reaches its highest point, the camera abruptly pulls back and up. The train is crossing a massive iron bridge spanning an emerald green canyon, its form appearing precise and elegant. The camera continues rising while panning, revealing the full canyon and the distant mountains. It finally settles on a sweeping aerial wide shot: the silver train, like a slender needle, quietly disappears into the shadowed tunnel of the mountains. All is silent, save for one last, distant echo of the train's whistle rippling gently among the mountains until it fades away. (Large-scale pull-back + crane movement + pan; mood: grand, detached, settling into eternity)
Edit the prompt in the box under the preview — the template's model and format are already selected — and press Generate. Your version appears right on this page.
Yes. You can change the subject, setting, lighting, mood, format, and available model controls before creating your video.
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