Minimalist Oriental Ink Typography Poster

Around the specific theme, generate a minimalist Oriental-typography poster: the image is dominated by large areas of clean empty space, and the main subject is not a full illustration but several cropped, floating, and irregularly distributed sections of thick black ink branches, or a linear structure corresponding to the theme, carrying visual weight the way calligraphy brushstrokes do; the edges of the strokes should show dry-wet variation, broken ink blocks, flying-white (dry-brush) texture, slight bleeding, and a handmade sense of unevenness. The structure may extend in from the edge of the frame, or suddenly cut off in the empty space, forming a quiet but tense reading path. Text is one of the core design elements: use an extremely thin, elongated typeface with a Song-typeface or Ming-typeface quality; Chinese text can mix vertical and horizontal layout, with widened letter spacing and slender strokes, and locally it may be broken apart, misaligned, elongated, or combined with thin lines as if experimenting with the typeface; small English text should use a high-contrast serif or a thin, narrow serif typeface, kept small and restrained, scattered through the empty areas as quiet annotations. The hierarchy should be clear: one main title should carry the greatest textual presence, while the remaining short lines are sparsely arranged like specimen labels, and must not fill the frame. Colors should keep a high-brightness, clear, clean paper-like feel; the background is close to a warm white or a light tone derived from the theme, black carries the structure and the order of the text, and a small amount of bright, soft accent color derived from the theme is used only for flower petals, dot-like symbols, thin lines, or partial letterform slices — small in area but precisely placed, giving the image a light, fresh mood. Overall it should feel like a fusion of ink painting, typeface design, and modern layout, with low information density, wide margins, and a scattered yet controlled visual weight, avoiding over-decoration, bold commercial lettering, a dirty vintage filter look, and an ordinary floral-illustration feel. This time's theme: {argument name="theme" default="Dragon Boat Festival — 5 Things to Boost Your Own Luck"} Purpose: {argument name="purpose" default="self-media cover image"} Ratio 5:2