Experimental Chinese Typography Design

Generate an experimental Chinese typography design built around a specific piece of theme text: break each character down into a clearly distinguishable skeleton — horizontal and vertical structural bars, arced brush strokes, and a small number of geometric parts — then reassemble them into glyph forms using the same modular logic. The main body should not rely on ordinary typeface outlines; instead it should be built, like a transparent architectural blueprint, from thin outline strokes and semi-transparent color blocks: long horizontal strokes maintain a stable, level order, vertical strokes carry a slight tilt tension, sharp cut angles are preserved at the turns, and the main curved strokes sweep through the space inside each character with a large radius, forming a blend of calligraphic brushwork and geometric engineering feel. Keep ample negative space and balanced visual weight between characters; individual strokes may interweave, overlap, or shift out of alignment locally, but the text must remain legible. Repeated horizontal lines, vertical lines, diamond-shaped dots, and round or arced nodes serve a rhythmic function, making the whole set of characters look like a single unified type-system rather than one-off decorative glyphs. Draw the color palette from the theme's own material, mood, and meaning, keeping a relationship of a bright, clean base field, a low-saturation semi-transparent main body color, a slightly darker fine outline, and a very small number of clear accent points — the overall feel should be bright, translucent, airy, and precisely designed. The finish should sit somewhere between a type-design draft and a brand wordmark: clean edges, visible transparent layering, restrained stroke widths, avoiding heavy solid characters, a dingy gray retro texture, a casual handwritten feel, or ordinary poster typesetting. Theme text for this piece: {argument name="Theme Text" default="财大气粗"} Ratio 16:9