High-Speed Cinematic Action Scene with Web-Slinging

While fully preserving the reference image <<<Image1>>>, please generate an ultra-realistic, movie-like high-speed action video. Amid a cluster of skyscrapers bathed in the warm light of golden hour, a cinematic action sequence in which a man uses a spider-silk-like high-tension web to hurtle between the buildings at extreme speed. All movement should take place between the buildings, very close to the outer walls and windows, below the rooftop line or right at its edge. Do not stay out in open sky for long. [Action structure (important)] It begins with "forward acceleration." <<<Image1>>> fires a web toward a building ahead and above, and the tension yanks him forward in one motion, sending him hurtling in a straight line at extreme speed through the gap between the buildings. He moves grazing right past the walls and windows, showing off strong speed and depth. After that, carrying his momentum, he makes a huge leap, clearing the gap between the buildings in one "boing." Here he is briefly out in open space for just a moment, but quickly moves on to the next action. After the jump, the character loses his balance once and begins to fall. Depict a realistic fall, pulled sharply downward by gravity. Create a moment of thrill here. While falling, <<<Image1>>> immediately fires a web toward the edge or structure of a building above, hooking it in midair. At that instant, the intense tension yanks his body sharply upward, and he rises explosively. After that, he fires a web forward again, returning to forward acceleration. Limit the web usage to 2-3 times overall, and make sure each individual action is clearly shown. [Movement characteristics] All movement should follow realistic physical behavior based on inertia, gravity, and tension. Deceleration or hovering is prohibited. The flow of speed must never break, creating a clear rhythm of "acceleration → leap → fall → explosive rise → re-acceleration." [Body expression] At the instant of firing the web, one arm thrusts sharply forward or upward. During acceleration, the body stretches as if pulled, with the legs trailing backward. During the jump, the whole body carries the momentum; during the fall, it collapses naturally under gravity. During the pull-up, the body should rise all at once in a dynamic motion. [Camera] The camera basically maintains a forward-following shot, tracking from behind or close to the character. Always emphasize forward-moving motion, maximizing the sense of speed and perspective change. Do not use side angles. [Direction] Make use of reflections off the glass exteriors, streaking window lines, strong motion blur, clothing fluttering from wind pressure, and light flares to create an overwhelming sense of speed and immersion. Keep the distance to the walls always close, emphasizing the thrill of a near-collision. [Emotion] Express focus, excitement, adrenaline, confidence, and the exhilaration of recovering from a split-second crisis (the fall). Overall, prioritize ultra-realism, cinematic quality, high-speed straight-line motion, strong depth, action with a clear rhythm of tension and release, and physical realism.