Photorealistic IMAX Sequence of a Robot Assembling its Faceplate

A 12-second photorealistic IMAX cinema film sequence. Shot on Arri Alexa 65 anamorphic lens. CAMERA ANGLE: over-the-shoulder shot from behind and slightly above the robot, looking down at its hands working, we peer over its shoulder like a silent observer. A white bipedal humanoid robot sits in a dark deep-space mining vessel, precisely assembling a replica of its own faceplate, an identical robot skull and facial housing, held carefully in both hands. The incomplete faceplate sits in its lap: empty eye sockets, exposed inner sensor cavities, jaw assembly partially clicked into place. Metal panels and facial components slot together with surgical precision, blue LED indicators flickering inside the eye sockets as each piece connects. We see the robot's back and the side of its own head, and below, the half-assembled replica face staring upward from its hands. Lighting: single cold overhead work-light, deep black shadows, faint starlight through a porthole visible in background. No fill lights. High contrast ratio. Robot chassis has surface wear, scratches, dust, micro-dents. Camera slowly creeps closer toward the working hands and the face in its lap. Lens breathing visible. Film grain 35mm. Color grade: desaturated, muted steel-blue and amber tones only. Shot composition like Blade Runner 2049 or Interstellar. Worn industrial spacecraft interior, exposed conduits, riveted bulkheads. Absolutely no front-facing camera angle, no robot looking at camera, no bright colors, no comic book aesthetics, no anime, no cartoon shading.