Pixel Glitch Structural Infographic Poster

Generate a structural flat graphic artwork built around specific theme content, first compressing the theme's subject into a large-scale monochrome image field, rather than a complete realistic object or a centered illustration; the core form surges in from the edges of the frame, crossing the page boundary and bleed-cropped, like a fragment of a larger media image entering the paper surface. Inside the subject, keep only low-contrast image fragments, scan grain, halftone noise, material afterimages, and local archival texture; the outer edge shows low-resolution mosaic steps, block breakage, hard-cut gaps, and jagged sampled outlines. The background uses a high-brightness, light-colored paper as the full-bleed base field — it is not decorative background color, but must cut into the subject in reverse, like an unprinted area, carving out large voids, winding paths, quiet text windows, and negative space that allows for reading pauses, letting the viewer reconstruct the theme through outline, mass, direction, missing parts, and local texture. Color maintains a three-layer functional relationship: the large light-colored base handles breathing and cutting, the large-area theme structural color handles the subject, spatial pressure, and media traces, and a small amount of high-contrast information color handles titles, dates, annotations, numbering, institutional information, or footnotes; the specific hues change with the theme's warmth/coolness, mood, and material semantics, but the area ratio, brightness hierarchy, and functional division must not be averaged out. The composition uses a scale contrast between giant image fragments and tiny information pin-points; the main visual is larger than the page and carries the primary weight, with text scattered along blank windows, color-field boundaries, cut nodes, and the bottom edge, forming a jumping reading path from top marks to side titles to bottom footnotes. The typeface uses a narrow modern sans-serif or a square, clear-skeleton face, with even strokes, restrained letter spacing, and precise hierarchy; the main title reads like a public cultural information coordinate, while the small text is precise and fine, like a metadata index — text does not cover the center of the subject, but instead calibrates the gaps, scale, and direction of the image field. Time, place, function, relationships between people, or abstract concepts within the theme must first be converted into color-field density, gap direction, edge pressure, and information nodes, rather than being explained through the subject's default stack of icons. The image may shift its warmth/coolness and paper temperature according to the theme, but must retain the mutually invasive relationship between large blocks of structural color and large blocks of blank space, so that the blank space is both air and a blade edge. The overall surface uses a flat texture of screen printing, spot-color overprinting, scan output, and slightly uneven old paper, giving the structural color internal grain-density variation while keeping the information color sharp and clear; no photographic depth of field, no 3D projection, no glow effects. All theme objects, data, temporal relationships, and narrative clues are made visible through field quality, pixel edges, blank-space cuts, information nodes, and print grain, so that the image has both a strong graphic impact from a distance and a precise information order when read up close. Theme for this piece: {argument name="theme" default="Hitler's childhood"} Purpose: infographic poster, make sure all key facts are covered, with varied presentation. Ratio 16:9 landscape.