Chinese Ink Animation Poster Style

Design a visual poster with the temperament of an Eastern ink-wash animation for 【{argument name="Theme" default="Borrowing Arrows with Straw Boats"}】. The overall visual logic follows "heavy ink forms the bone structure, light color builds the mood, negative space tells the story, edges breathe." The background has a warm xuan-paper texture, with off-white, pale blue-gray, and light watery tones blending naturally, with a slight paper grain, water marks, and spreading ink. The core text in the image is not fixed to any single position, but is intelligently placed according to the subject's action, gaze direction, negative space, and the visual weight of the composition. The title can appear on the left, right, top, bottom, diagonally, partially revealed at the edge, or arranged unevenly around the subject. The text's placement should feel like a natural part of the image's growth, not typography pasted on afterward. The main title participates in the composition as a heavy-ink visual anchor, serving to anchor the image, support the subject, guide the eye, or create rhythm. The title font is handwritten heavy-ink calligraphy, with strokes that are thick, wet, naive, and irregular, featuring dry-brush streaks, broken strokes, ink blots, bleeding, and rough edges. The character sizes are uneven, the visual weight slightly off-balance, giving it the handcrafted feel of a children's picture book or the opening titles of a Chinese ink-wash animation. The title should not use a neat commercial font, but should instead read like a set of black graphic symbols that echo the subject, the edge elements, and the negative space. Keep moderate negative space at the center of the image, letting the main character or core object rest lightly in the paper's open air. Around the edges, add light-colored edge elements that vary with the theme, such as 【{argument name="Edge Elements" default="willow branches, water splashes"}】; these elements extend in from outside the frame, showing only a partial glimpse rather than the full form. The edge elements should use ink-wash light color, transparent blending, and partial blur, creating a sense of off-frame space and breathing room. Color should mainly appear at the edges and four corners, keeping the central area restrained and clean. The overall mood should be poetic, playful, Eastern, warm, and hand-drawn in feel, like a single breathing frame of a Chinese ink-wash animation poster. The image should convey a refined sense of design where "heavy-ink text forms the skeleton, light-color edges create the atmosphere, and the negative space tells the story." Aspect ratio 9:16