2D to 3D Surreal Street Photography

An {argument name="character setting" default="Asian adult woman"} appears in {argument name="scene setting" default="Shibuya, Tokyo"}, close to or flush against the front of [background surface]. The image uses a frontal viewpoint, eye-level camera, with a realistic street-photography composition. The figure's body is clearly divided into two states, 2D and 3D: [2D body part] is a two-dimensional flat printed image stuck onto [background surface], while [3D body part] suddenly becomes a real, existing three-dimensional human body starting from [dividing line], entering real space. The figure's [2D body part] is entirely a flat printed image, pressed flush against [background surface], with no real thickness, no real volume, and no outward-bulging spatial structure. This 2D area shows a genuine paper / poster / sticker / mural / wheat-paste poster texture, with a matte print effect on the surface, slight fading, fine grain, paper fiber, signs of aging, and worn edges. The edges of the 2D image may be slightly curled, peeling, or damaged, with some areas showing traces of glue, paste residue, torn paper scraps, or background texture. The texture of [background surface] needs to show through or affect the 2D body area — for example, the rough grain of a concrete wall, gaps in a brick wall, scratches on a metal panel, the grain of old wood boards, graffiti marks, stains, cracks, sticker residue, etc. — all of which should blend naturally with the figure's 2D area. The 2D body part should look like an image that was long ago printed, pasted, spray-painted, or drawn onto the background surface, rather than a real standing human body. The figure's [3D body part] suddenly transforms into a real, existing three-dimensional human body starting from [dividing line], with complete real volume, real anatomical structure, real material detail, real lighting and shadow, real perspective, occlusion relationships, and physical contact. The 3D area should clearly enter real space, forming a strong contrast with the 2D area. Skin, clothing, shoes, hair, accessories, or other body details should all show a hyper-realistic texture, with real highlights, shadows, folds, grain, and spatial depth. The [dividing line] between the 2D and 3D parts must form a clear, sharp, precise, visible boundary line. This boundary line should look as if the flat printed image and the real three-dimensional human body have been abruptly but precisely spliced together on the same body. The dividing point must not be blurred, must not be a gradient, and must not resemble ordinary morphing or a translucency effect; it must clearly show: one side is a 2D flat image stuck onto the background, the other side is a real three-dimensional body entering real space. If there is graffiti, stickers, stains, cracks, spray paint, text, or other background elements in the image, they may cover or press onto the [2D body part], as if, after the figure's 2D image was pasted or drawn, the background surface was then further scrawled on, spray-painted, or covered. Background elements should have a genuine surface relationship with the 2D body area, rather than simply staying behind the figure. The 3D body area needs to have a clear interaction with the real environment: if the [3D body part] includes a foot, leg, hand, arm, head, or some part of the body extending out, it must show real physical contact, cast shadow, occlusion, and spatial relationships. For example, a foot stepping on the ground, with the sole slightly deformed by pressure; an arm extending out of the flat image, blocking the background and casting a shadow on a wall or the ground; a head poking out of the poster, with real facial volume, skin texture, and lighting structure. The overall style of the image is surrealist realistic photography, which should both preserve the credibility of a real street snapshot and reinforce the visual paradox created by the splicing of 2D and 3D bodies. The lighting is [lighting conditions], the background is [background details], and the overall atmosphere is [visual style]. The image should have cinematic composition, high detail, real materials, real lighting and shadow, and real spatial perspective, hyper-realistic surreal photography, cinematic, photorealistic, high detail, 8K.